Bronzo

Smooth
After gluing and profiling, the noble lamella is sanded with 220/240 g (very fine) sandpaper. After the sanding, you can then proceed with the treatment to obtain a perfect flat surface, without any other peculiarity.

Deeply brushed
As in the brushed treatment, special brushes remove the superficial and more tender part of the wood: the action of the brushes is stronger, resulting in a deep embossed wood grain and a more tactile feeling.

Brushed
The surface and soft part of the wood is removed by passing under special brushes that leave the hardest wood grain in relief and give it greater resistance to wear and tear.

Saw Cut
Modern techniques are used to recreate the rustic effect of cutting the board with the old saws. This process, very soft to the touch, increases the resistance to walking and helps to confuse the signs of time. For this reason, it is particularly recommended for high traffic areas.

Planed
It recalls the result of the ancient techniques used to flatten and smooth the rough boards. The floor takes on a longitudinally wavy appearance, creating particular movements and reflections. This working is always accompanied by hand bevelling on all edges.

Sawn

By using modern techniques, we create on the surface of the boards the transverse abrasion typical of saw cutting on tree trunks. This particular cut is very delicate, enhancing the texture of the fibre without breaking it up, creating an interesting and innovative pattern.

Hand bevelled
With great craftsmanship, the edges of the boards are manually worn down, making the dimensions and shape of the boards more evident. The edges appear more marked and irregular, as if they were worn out by time and wear.

Round Bevelled
The edges of the boards are abraded manually creating a rounded, not regular, effect. The appearance of the boards is softened and embossed compared to the flooring laid. This process is always combined with brushing.

Knot-Free
The most neutral selection of Fiemme Tremila from an aesthetic point of view. As far as possible, and depending on the woody variety, we select the most homogeneous and uniform knot-free boards.

Knotty
This selection includes boards with sound knots but they are never too rustic. Usually, and depending on the wood species, there are also big knots but well-repaired with brown plaster.

Variegated
The most natural selection of Fiemme Tremila. In this variant, all the peculiarities that nature can give to the wood can be present – knots, even of big dimensions, cracks, colours, stains that are its predominant features. Plaster reparations are black. Possible traces of sapwood.